If you have a passionate interest in a particular topic — it could be just about anything — you’re a prime candidate for theme travel.
In my younger days, I was obsessed by the paintings of the 15th-century Flemish fantasist Hieronymus Bosch, and trekked all over Europe attempting to see every one of them; I fell a little short, but had a wonderful time and my dedicated purpose gave my journey added meaning.
I was traveling by myself, but theme travel often involves going with like-minded people who share your passion. Take theme cruises, for instance.
The Lure of Theme Cruises
For six years I wrote a regular theme cruise column for Porthole Cruise Magazine, which chronicled the adventures of folks who are crazy about the most wide-ranging subjects imaginable:
Birding cruises….mah jongg cruises…vegan cruises…vampire cruises…marathon (running)… Continue reading
Part II of a two-part series. Our story so far:
In my previous post, I confessed to spending three months in Europe shortly after finishing college determined to view every painting on the Continent by the 15th-century Flemish artist Hieronymus Bosch.
My quest took me the length and breadth of Western Europe on a tight budget, in rumpled clothing, and with an almost fanatical zeal to complete my Bosch life list. In the process, I befuddled just about everyone I knew. I was no trained art historian, just an amateur Bosch aficionado equipped with a rail pass and an oddly compelling travel obsession.
Way back in 1971, shortly after graduating from college, I developed an obsession for the paintings of the 15th-century Flemish master Hieronymus Bosch, whose phantasmagorical — sometimes grotesque — artworks appealed to my psychedelic sensibilities of that era.
I spent days in libraries hand-copying notes from dusty tomes about the artist, sought out all of his works in American museums, and eventually embarked on a three-month pilgrimage to Europe determined to set eyes on every Bosch painting on the Continent.
On my target list were 31 museums and churches containing 58 works of art, scattered across a dozen countries and 26 cities and towns from Copenhagen to Vienna to Lisbon.
My resources were limited: a Eurailpass, a copy of Europe on $5 a Day when it was still called that, and a budget to match.